Jurriaans;[1] (his sale, Van de Schley, Roos, and De Vries, Amsterdam, 28 August 1817, no. 20); Cornelius Sebille Roos [1754-1820], Amsterdam. Charlotte-Camille, Comtesse Boucher de la Rupelle [née de Tascher, d. 1911], Paris; sold by 1905 to (Charles Sedelmeyer, Paris); James Simon [1851-1932], Berlin, by 1906; (Abraham Preyer, The Hague);[2] purchased 12 June 1919 by (Duveen Brothers, Inc., London, New York, and Paris);[3] held jointly with (Thos. Agnew & Sons, Ltd., London), June to November 1919);[4] (Duveen Brothers, Inc.); sold June 1920 to Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 28 December 1934 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh; gift 1937 to NGA. [1] The name is also inscribed on copies of the 1817 sale catalogue as “Jurjans.” See the description of Sale Catalogue N-298 in The Getty Provenance Index© Databases, J. Paul Getty Trust, Los Angeles. [2] From The Hague on 4 May 1919, Preyer cabled fellow dealers Scott and Fowles in New York that he had purchased the painting; see Duveen Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los Angeles: reel 229, box 374, folder 7. [3] Duveen Brothers Records, accession number 960015, Research Library, Getty Research Institute, Los Angeles: reel 103, box 248, folder 22. Oddly, the Duveen prospectus, in NGA curatorial files, says the painting was acquired by Duveen in 1927, which is clearly an error. [4] The painting was Agnew’s stock number J1821. This information comes from the Agnew stock books, and is recorded in the Public Collections portion of the Getty Provenance Index© Databases, J. Paul Getty Trust, Los Angeles.