Samson and the Lion

Description

Samson’s encounter with a lion was one of the legendary Israelite hero’s earliest feats. Here, Cristoforo Stati emphasized Samson’s bulging muscles as he effortlessly tears apart the lion’s jaw. Stati studied in Florence under Flemish-born artist Jean de Boulogne, called Giambologna. In 1601 Ferdinando I de’ Medici, Archduke of Tuscany, sent a sculpture of Samson by Giambologna as a diplomatic gift to the Duke of Lerma, the prime minister of Spain. After that work traveled from Florence to Lerma’s palace in Valladolid, the duke sought another scene to pair with it and commissioned Giambologna’s follower, Stati. In the ensuing years, the Spanish capital moved from Valladolid back to Madrid, where the sculpture seen here was installed. Stati created the twisting figures to complement the work of his mentor, who favored compositions meant to be viewed from all sides.

Provenance

Francesco Gomez de Sandoval y Rojas, Duke of Lerma, Madrid, possibly from 1607–1636 [according to Scroth, p. 11]. Swiss private collection, before 1996 [according to copy of original dealer solicitation in curatorial file]. Thomas Howard-Sneyd, London, by 1996; sold to the Art Institute, 1996; accessioned by the Art Institute, 1997.

Samson and the Lion

Cristoforo Stati

1604–7

Accession Number

146875

Medium

Marble

Dimensions

210 × 112 × 84 cm (82 11/16 × 44 1/8 × 33 1/8 in.)

Classification

large scale

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Chester D. Tripp Fund