With this painting of the dance hall known as the Moulin de la Galette, Henri de Toulouse-Lautrec established his reputation as the chronicler of the Montmartre district’s famed nightlife. A wooden barrier bisects the composition, dividing the frenzied action of the dance floor in the background from the stillness of the women waiting in the foreground. Toulouse-Lautrec used turpentine to thin his paint and applied it in loose washes, a technique known as peinture à l’essence. The result is a sketchy style that conveys both the immediacy of the artist’s observations and the tawdry atmosphere of his subject.