The Wedding

Description

“I paint the things I have experienced,” Jacob Lawrence once said. In The Wedding, Lawrence depicted both the solemnity and the joy of a marriage ceremony and the coming together of families. Positioning the figures with their backs to the viewer, Lawrence’s composition invites us to participate in the couple’s major life event. Although the preacher’s face is only partially defined, he appears to look down with great seriousness as the two contemplate their vows. The large, colorful urns overflowing with flowers signify happiness and may also represent the future prosperity of this union.

Lawrence depicted the histories and events of black Americans—whether through individual compositions such as The Wedding that commemorated the everyday activities of his fellow Harlem residents, or through series of paintings that explored subjects ranging from the Great Migration to the story of Harriet Tubman.

Provenance

The Downtown Gallery, New York. Mrs. Franklin Forsythe, Ann Arbor, MI, by 1960; by descent to Mr. and Mrs. Franklin Forsythe, Laguna Beach, CA. Terry Dintenfass Gallery, New York, by 1980. Dr. Daniel J. Whitner, Atlanta. Christie, Manson & Woods, New York, lot 346, September 29, 1989; Mr. and Mrs. John W. Payson, Hobe Sound, FL; Midtown Payson Galleries, New York; sold to the Art Institute of Chicago, 1993.

The Wedding

Jacob Lawrence

1948

Accession Number

125660

Medium

Egg tempera on hardboard

Dimensions

50.8 × 61 cm (20 × 24 in.)

Classification

tempera

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Purchased with funds provided by Mary P. Hines in memory of her mother, Frances W. Pick