Cabinet

Description

The influence of Japanese artistic techniques and motifs abound in this cabinet, from the dazzling gold-field butterfly plaques set into the left and right cabinet doors, to the stylized floral inlays of the ebonized central compartment. Herter Brothers was one of the leading firms that designed furniture and interiors for the American upper class during the Aesthetic Movement, a cultural trend that emphasized beauty, particularly in the home. In the late 1870s, Herter Brothers began to incorporate such Japanese-derived elements in their designs, even as the furniture forms themselves derive from European and American precedents. It was common in the period to embrace eclectic motifs as long as they achieved a sense of visual harmony.

Provenance

Henrietta Klenitzky (1889–1940; born Henrietta Goldenberg, also Mrs. Louis Klenitzky), Brooklyn, NY [this and the following according to letter from Margot Johnson, Feb. 5, 1986]; by descent to Frances Salzman (1907–1995; born Frances Klenitzky, also Frances Klenett, also Mrs. Samuel Salzman), Brooklyn, NY, about 1946; sold, Sotheby's, New York, Nov. 4–5, 1983, lot 342, to Margot Johnson, New York, NY; sold to the Art Institute of Chicago, 1986.

Cabinet

Herter Brothers

1878–80

Accession Number

105105

Medium

Rosewood with ebonized cherry, maple, walnut, satinwood, marquetry of various woods, brass, gilding, and paint

Dimensions

134.6 × 180.3 × 40.6 cm (53 × 71 × 16 in.)

Classification

case furniture

Museum

The Art Institute of Chicago

Chicago, United States

Credit Line

Purchased with funds provided by the Antiquarian Society through the Capital Campaign