Description
Pierre-Auguste Renoir’s son Jean, seen here, served as a model for his father from a young age. Renoir so loved the “silken gold” of his son’s long hair, then in fashion for little boys, that he insisted it remain long until Jean was seven, much to his embarrassment. Jean, later a prominent film director, recalled that the children’s nanny, Gabrielle, suggested that he keep himself occupied during the modeling session for this painting by sewing a satin coat for his toy camel.
Provenance
Possibly Durand-Ruel, Paris, by Apr. 1912. [this and the following per Dauberville and Dauberville 2010]; sold to Martin A. Ryerson (d. 1932), Chicago, 1914; by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A. Ryerson, Died August 11, 1932, copy in Institutional Archives, Art Institute of Chicago]; bequeathed to the Art Institute of Chicago, 1937.
Accession Number
25832
Medium
Oil on canvas
Dimensions
55.4 × 46.3 cm (21 3/4 × 18 1/4 in.); Framed: 68.3 × 60.1 × 6.1 cm (26 7/8 × 23 5/8 × 2 3/8 in.)
Classification
oil on canvas
Credit Line
Mr. and Mrs. Martin A. Ryerson Collection
Related Artworks
Splashing Figure (Study for "The Large Bathers")
Pierre-Auguste Renoir
On the Terrace of a Hotel in Bordighera: The Painter Jean Martin Reviews His Bill (Illustration for Edmond Renoir’s “L’étiquette”)
Pierre-Auguste Renoir
Grove of Trees
Pierre-Auguste Renoir
The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso)
Pierre-Auguste Renoir